Bicknell, Frank Alfred 1866 - 1943There is 1 product.
American Impressionist Painter
When Frank Bicknell’s family relocated from Augusta, Maine to present-day Brockton, Massachusetts in
1870, the aspiring artist had some small success doing scenes for the Brockton Illustrated and illustrations
for New England Magazine. Living in Brockton also afforded him access to nearby Annisquam, where he
spent his summers painting alongside such notable painters as William Picknell (1853-1897), Robert
Vonnoh (1858-1933), and Hugh Bolton Jones (1848-1927). Within a decade, Bicknell moved to New York,
where in 1889 he exhibited in a gallery show alongside William Merritt Chase (1849-1916). For all his
new-found glory, New York remained a temporary stop. In 1890, it was on to Paris where he enrolled in the
Academie Julian. Upon his return to the city in 1894, Bicknell occupied a full-floor studio in Stanford
White’s infamous tower attached to Madison Square Garden. By the time of his 1895 trip to California and
Japan, paintings by Bicknell could be found in the National Academy of Design, the Boston Arts Club, and
the Philadelphia A c a d e m y .
Bicknell returned to his native state of Maine intermittently throughout his career, particularly to Ogunquit
and Monhegan Island, which were popular locales for fellow art colony members at Old Lyme. Bicknell’s
Ogunquit, Maine depicts the craggy coastline and crashing waves with broad avenues of color. The cliffs,
with sharply painted edges and a sun dappled surface, forcefully anchor the asymmetrical composition to
the left side.
Bicknell first visited Old Lyme in 1902, but it was not until 1908 that his name was regularly associated
with the Old Lyme Art Colony. He referred to other members of the colony as his “family,” and established
a relationship with the artist Louis Cohen, who upon his death willed his home on Sill Lane to Bicknell. As
a testament to his significant reputation, Bicknell was invited to paint one of the panels in Miss Florence’s
celebrated dining room.
Between 1910 and 1920, Bicknell fully occupied his role as a leading member of the American art
community. He was named an associate of the National Academy and was an influential member of the
Salmagundi, Lotos, and National Arts clubs. From 1919 to 1925, Bicknell served as an associate professor
at the Carnegie Institute of Technology, now Carnegie Mellon University. The artist eventually returned to
Old Lyme where he stayed in the Cohen house until too infirm to live on his own. He moved to a retirement
home in nearby Essex, where he died in 1 9 4 3 .
When Frank Bicknell’s family relocated from Augusta, Maine to present-day Brockton, Massachusetts in
1870, the aspiring artist had some small success doing scenes for the Brockton Illustrated and illustrations
for New England Magazine. Living in Brockton also afforded him access to nearby Annisquam, where he
spent his summers painting alongside such notable painters as William Picknell (1853-1897), Robert
Vonnoh (1858-1933), and Hugh Bolton Jones (1848-1927). Within a decade, Bicknell moved to New York,
where in 1889 he exhibited in a gallery show alongside William Merritt Chase (1849-1916). For all his
new-found glory, New York remained a temporary stop. In 1890, it was on to Paris where he enrolled in the
Academie Julian. Upon his return to the city in 1894, Bicknell occupied a full-floor studio in Stanford
White’s infamous tower attached to Madison Square Garden. By the time of his 1895 trip to California and
Japan, paintings by Bicknell could be found in the National Academy of Design, the Boston Arts Club, and
the Philadelphia A c a d e m y .
Bicknell returned to his native state of Maine intermittently throughout his career, particularly to Ogunquit
and Monhegan Island, which were popular locales for fellow art colony members at Old Lyme. Bicknell’s
Ogunquit, Maine depicts the craggy coastline and crashing waves with broad avenues of color. The cliffs,
with sharply painted edges and a sun dappled surface, forcefully anchor the asymmetrical composition to
the left side.
Bicknell first visited Old Lyme in 1902, but it was not until 1908 that his name was regularly associated
with the Old Lyme Art Colony. He referred to other members of the colony as his “family,” and established
a relationship with the artist Louis Cohen, who upon his death willed his home on Sill Lane to Bicknell. As
a testament to his significant reputation, Bicknell was invited to paint one of the panels in Miss Florence’s
celebrated dining room.
Between 1910 and 1920, Bicknell fully occupied his role as a leading member of the American art
community. He was named an associate of the National Academy and was an influential member of the
Salmagundi, Lotos, and National Arts clubs. From 1919 to 1925, Bicknell served as an associate professor
at the Carnegie Institute of Technology, now Carnegie Mellon University. The artist eventually returned to
Old Lyme where he stayed in the Cohen house until too infirm to live on his own. He moved to a retirement
home in nearby Essex, where he died in 1 9 4 3 .
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